Skip to main content

fabric shopping in Amsterdam

The Seamworker's Guide to Amsterdam is up!

I found out that Amsterdam — like Antwerp — is a really great source for knits. Especially sweatshirt fabric. (I'm really regretting not buying some as I get ready for fall sewing!)

I loved Noordermarkt — it was like an open-air Mood, just stalls and stalls of every fabric you can imagine, lots of them organized by type: gingham, lace, etc.








Albert Cuypstraat was like a New York street fair, with off-brand socks and makeup, food trucks, and — unlike most New York street fairs — fabric stalls (and permanent fabric shops behind them).






Also, I stumbled onto a hippie restaurant with no set prices — at the end, the cashier told me to "pay what you feel or pay what you think."

I laughed, but the food was very good. And they had cucumber-lemon-orange infused water.






On the way back, I stumbled across an amazing shop called Sprmrkt. The entrance was filled with trees, so it felt like you were walking through a forest.

They carried men's and women's Vetements, Damir Doma, Rick Owens...OF COURSE I stumbled across this place at the end of our trip, when I was out of spending money. OF COURSE.

Still fun to browse, though.





But I think Tinctoria was my favorite place. The owner's been naturally dyeing fabrics for 25 years. I was completely gobmacked by the colors — they were rich and deep and changed with the light. It kind of spoiled me for all other fabric shopping, and made me want to use naturally dyed, sustainably produced fabrics from now on, whenever possible.







She knew so much about dyeing — especially chemistry and working with hard-to-use dyes — and I was kicking myself after I left because I really should have asked more questions. At one point, she said, "So of course I pretreated it with soy milk..." and I nodded and went "uh huh" as if I totally knew what she was talking about, and of course I totally didn't. I have so much to learn.

She also recommended Dominique Cardon's books and mentioned a conference that takes place every few years in France (I think). So there's my rabbit hole.

SO. Here's my final haul:



Top to bottom:

  • Ikat remnant from Capscium Natuurstoffen — destined for a skirt or maybe a fancy bag
  • Polka-dot oilcloth from Maastricht (oilcloth is all over the Netherlands too!)
  • My favorite piece: Madder-dyed orangey-red hemp from Tinctoria (or, as Leentje politely called it, "your brick.") Haven't quite decided what to do with it yet. Was thinking about a jacket; wish I knew how to make sneakers.
Additional bits and bobs from the remnant bin:





Two pieces of velvet (the one on the right was dyed with weld, I think), two pieces of hand-printed linen. She'd written her dyeing recipe on the blue one.

I could post more pictures (so, so many more pictures, you guys), but I'll stop here for now. :)

Thanks for reading!
SaveSaveSaveSaveSaveSaveSaveSave
SaveSaveSaveSaveSaveSave
SaveSave
SaveSave
SaveSave

Comments

  1. OMG I want that buckle-y jacket SO MUCH!!!

    ReplyDelete
    Replies
    1. I think it was eleven million dollars. But me too. Also the cap.

      Also pretty much that whole store.

      Delete

Post a Comment

Popular posts from this blog

Alabama Chanin Factory Dress, and an update

Right! So I've been thinking lately about making three "uniform dresses" with pockets in Alabama Chanin cotton jersey that can be worn by themselves or over t-shirts and leggings, under cardigans, etc. And then I got this new "accessory" in May (which I'll explain in a sec) and couldn't get a red dress out of my head. To match, sort of—even though I hate it—but also, I love red and for some reason have none of it in my closet. So anyway, here's the first Factory Dress! It's single-layer medium-weight cotton jersey in Carmine, in a straight size medium, with hand-stitched seams (although I machine-stitched Eloflex within the SA afterward for extra stability). I used the punch cards from The Geometry of Hand-Sewing for the Cretan stitch around the neckline and armholes, which worked out great.  Bad closeup of neckline: This was a really enjoyable make—I had fun with the combination of machine and hand-stitching. I might k

complete: Nani Iro pocket dress

I made a dress! With the new sewing machine! Wheee! And not to bury the lede, but: We went to Japan for two weeks, and I completely fell in love with the clothing—especially Nani IRO and their amazing fabrics. I'm hooked. We tracked down the atelier in Osaka. ( Here's my review on PR .) They wouldn't let me take photos of the shop but said it was OK to take pictures of the fabrics. Lots of linen, cotton gauze and sateen in bright colors, as well as buttons and notions, an archive (I wasn't sure if it was possible to buy any of the archived fabrics), and jewelry. I bought some lovely blue linen with an asymmetrical print: And the book—the English translation had just been released. And it was signed! (I have a picture, can't seem to post it, sry.) So anyway. I couldn't stop reading the book—you know when you get really really obsessed with a pattern book? Like that. As soon as I got home, I decided to try out the pocket dress. Here'

a trip to Alabama Chanin

 Hi there. It's been a while. Didn't mean to go on mute, but some things happened over the last year or two. Anyway! I finally paid Alabama Chanin a visit. I've wanted to go for years, and finally reached out to them to sign up for a Studio Day and embroidery workshop while I was sitting in a high school gym in Lynn recovering from my first Covid shot. Definitely a bucket-list thing. I would have signed up for their three-day workshop in May, but it happened to coincide with the date of my second shot. :( It was a bit nerve-wracking -- only my second trip since 2019, going to a new place and all that. I went with a friend from my stitching group, and we'd never traveled together before.  We had a great time, though. It was an amazing three days! We landed in Nashville on a Wednesday, drove straight to AC, and spent the rest of the afternoon looking around and trying stuff on. Thursday was our Studio Day, where they let you focus on whatever you want. We toured the facto