where are you going, where have you been

I guess I did Me-Made May, if you count the one me-made scarf I wore nearly every day in Belgium and the Netherlands.

Here it is in Keukenhof, with Miffy:

And in Maastricht:

"Well, you always take pictures of *me* eating," says Tom.

I also got a major haircut in Antwerp:

Which makes me super-duper happy. I've been waiting forever to get it cut because I knew we would be in Antwerp again and I really wanted to go to Toni Kalin, because he did such an awesome job last time. It feels one hundred million times better.

I have more to post, but I'm working on two city guides for Seamwork, so I'll most likely post some sewing and fabric shopping-related stuff once they go up. :)

In bummer news, Harley goes back to the vet for more surgery AGAIN Monday. We got back from the trip and found two new basal cell tumors. They're going to be more aggressive with the surgery this time and follow up with radiation, so I really really hope that does it. Poor guy.

That's the news for now.

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Alabama Chanin Factory Dress, and an update

Right! So I've been thinking lately about making three "uniform dresses" with pockets in Alabama Chanin cotton jersey that can be worn by themselves or over t-shirts and leggings, under cardigans, etc. And then I got this new "accessory" in May (which I'll explain in a sec) and couldn't get a red dress out of my head. To match, sort of—even though I hate it—but also, I love red and for some reason have none of it in my closet. So anyway, here's the first Factory Dress! It's single-layer medium-weight cotton jersey in Carmine, in a straight size medium, with hand-stitched seams (although I machine-stitched Eloflex within the SA afterward for extra stability). I used the punch cards from The Geometry of Hand-Sewing for the Cretan stitch around the neckline and armholes, which worked out great. Bad closeup of neckline: This was a really enjoyable make—I had fun with the combination of machine and hand-stitching. I might k

finished: Alabama Chanin Classic Jacket

Hi! Lots going on around here lately. Thing One: I bought a new sewing machine! This is my new Bernina 480 , purchased from Sew Creative in Beverly, which recently closed. Sorry I don't have a better picture. I love this thing—it's fancy! I'm still learning my way around it. Thing Two: I was supposed to have another article in Vogue Patterns Magazine, but it folded! Bummer. It's on lighting for sewists, and if you want a copy, feel free to contact me on le social and I'll send it to you. I interviewed the gadget person from the Carroll Center for the Blind, and he recommended a lot of great stuff. (Really going to miss Vogue Patterns—it was my favorite sewing magazine! RIP.) And finally, Thing Three: I completed an Alabama Chanin Classic Jacket, from their Sewing Patterns book. The backstory is that I really wanted a nice reversible travel jacket in nice AC organic cotton for an upcoming trip to Japan. (This is after ordering an expensive travel hood

complete: Nani Iro pocket dress

I made a dress! With the new sewing machine! Wheee! And not to bury the lede, but: We went to Japan for two weeks, and I completely fell in love with the clothing—especially Nani IRO and their amazing fabrics. I'm hooked. We tracked down the atelier in Osaka. ( Here's my review on PR .) They wouldn't let me take photos of the shop but said it was OK to take pictures of the fabrics. Lots of linen, cotton gauze and sateen in bright colors, as well as buttons and notions, an archive (I wasn't sure if it was possible to buy any of the archived fabrics), and jewelry. I bought some lovely blue linen with an asymmetrical print: And the book—the English translation had just been released. And it was signed! (I have a picture, can't seem to post it, sry.) So anyway. I couldn't stop reading the book—you know when you get really really obsessed with a pattern book? Like that. As soon as I got home, I decided to try out the pocket dress. Here'

duck bucket sewing

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