Skip to main content

I don't get it

Two things are kind of ticking me off this week:

1. Gwyneth Paltrow's extremely expensive GOOP "basics." Made in Italy, and she says they're "luxurious ready-to-wear at a direct-to-consumer price." The tagline is Buy Now, Wear Now, Keep Forever. Hahahahahaha. Let's take a quick look at the fabric content of that affordable $695 blazer:



37% wool, 29% acrylic, 22% polyester, 6% nylon, 5% silk, 1% elastane. I'm guessing that acrylic/poly/nylon isn't all in the lining. Which means it's going to pill like crazy, no?

(FWIW, I have a similar blazer from the Gap. It's ~10 years old (wait, no, it's around 20! holy shit, I am old), 100% wool, and still holding up great. It was also less than $695, I'm pretty sure.

2. This story's been making the rounds over the past few days, and the comments are driving me up the wall. I'm really tired of (presumably) well-off women instructing each other to buy less, by which they mean saving up and buying high-end designer clothes, because they last longer.

Hmm.

And steam comes out of my ears every time these same clueless people declare that those on a limited budget should "just save up and buy better clothes." I just don't even know what to say about that. (Wait, I do, but I'm not posting it here).

I'd sure love to know how many of those $695 blazers are going to be around in 5 years. (Answer: All of them, in a bale somewhere, because polyester takes decades to decompose!)


Comments

  1. Sounds lovely in theory, but sometimes the numbers just won't allow it--a $375 pair of pants will never be a bargain for a certain income bracket.

    ReplyDelete
    Replies
    1. agree. and there's really no reason any pair of pants should cost $375!

      Delete
  2. I hear you and agree. I'm glad I have a better knowledge of fabrics since I've become a sewer. I've noticed that garments that are mass marketed tend to use a more substandard fabric probably to cut costs in manufacturing. Its a shame because the garments even though they are a great cut or design suffer because the fabric is crap. I was amazed at the quality of the fabrics that were used in the design shops you took us to in NY. The Anna Sui and the especially the other place (can't remember the name) both used what I thought was quality fabrics that were probably produced in smaller batches. I'm still bummed we didn't get a pic of that Anna Sui jacket, LOL.

    ReplyDelete
    Replies
    1. Thanks, James! I feel the same way. I love the quality of Oak + Fort's pieces -- they really hold up.

      Aw, no pictures of the jacket? That was amazing! I'm still astounded by the curved welt pockets.

      Delete

Post a Comment

Popular posts from this blog

Alabama Chanin Factory Dress, and an update

Right! So I've been thinking lately about making three "uniform dresses" with pockets in Alabama Chanin cotton jersey that can be worn by themselves or over t-shirts and leggings, under cardigans, etc. And then I got this new "accessory" in May (which I'll explain in a sec) and couldn't get a red dress out of my head. To match, sort of—even though I hate it—but also, I love red and for some reason have none of it in my closet. So anyway, here's the first Factory Dress! It's single-layer medium-weight cotton jersey in Carmine, in a straight size medium, with hand-stitched seams (although I machine-stitched Eloflex within the SA afterward for extra stability). I used the punch cards from The Geometry of Hand-Sewing for the Cretan stitch around the neckline and armholes, which worked out great.  Bad closeup of neckline: This was a really enjoyable make—I had fun with the combination of machine and hand-stitching. I might k

complete: Nani Iro pocket dress

I made a dress! With the new sewing machine! Wheee! And not to bury the lede, but: We went to Japan for two weeks, and I completely fell in love with the clothing—especially Nani IRO and their amazing fabrics. I'm hooked. We tracked down the atelier in Osaka. ( Here's my review on PR .) They wouldn't let me take photos of the shop but said it was OK to take pictures of the fabrics. Lots of linen, cotton gauze and sateen in bright colors, as well as buttons and notions, an archive (I wasn't sure if it was possible to buy any of the archived fabrics), and jewelry. I bought some lovely blue linen with an asymmetrical print: And the book—the English translation had just been released. And it was signed! (I have a picture, can't seem to post it, sry.) So anyway. I couldn't stop reading the book—you know when you get really really obsessed with a pattern book? Like that. As soon as I got home, I decided to try out the pocket dress. Here'

completed: Alabama Chanin fitted dress

Yeah, I can't believe I'm saying that either! It's going to be a long post, so here we go. Design choices Size and alterations:  Straight size medium, with neckline raised a few inches and made into a scoop neck; the original v-neck is really deep Fabric and thread:   Alabama Chanin medium-weight cotton jersey  — top layer in Sand, bottom layer in Dark Grey (only Dark Grey is currently available on their site) — and red craft/button thread Stencil: Anna's Garden Paint:  Tulip fabric paint in Black, watered down and applied with an airbrush Embellishment:  Outside reverse applique -- in which you stitch slightly outside each shape and then cut out the shape exactly on the lines Stitch type:  Straight stitch for outlining and construction, Cretan stitch for binding Here's how it looks on me: Hanging up: I picked the color scheme after seeing it in a sample book at the  two-hour workshop in New York  last year. (Highly recommend eithe