Skip to main content

2017 recap and Paris and stuff

Hello from Massachusetts, where the cats are hunkered down on every heating vent and I'm living in sweatshirts and flannel pants and vats of moisturizer.

I'm enjoying reading everyone's sewing recaps. I wasn't all that productive this year -- just a couple of Renfrews for the office and two mostly finished dresses that need some unpicking and fixing. And I'm on the last panel of the blue-and-black Alabama Chanin dress, yay.

In work-life stuff, my contract ended in November (all good! the person I was covering for came back from maternity leave. I really liked them, actually, and I'm hoping something else opens up there), and a week after it did, I went to Paris!

(But Duck! you're saying. You're unemployed. How can you possibly afford Paris?)

(To which I say: Paris is dead cheap in December, and also I used airline miles and stayed in a hostel, which was fine except for the night someone projectile-vomited from the top bunk, which is a story for another time.)

It rained just about every day, but I had the Paris museum pass, which turned out to be the best thing ever, because you can just pop into any museum you want anytime. I saw a bunch of the ones on my list, including the Louvre, the Cluny, Ars et Metiers, and the Arc de Triomphe (I climbed it!), and a bunch I hadn't planned to just because I had the pass, including the Centre Pompidou, the Picasso museum, and the Orsay. I'm not a huge fan of the Impressionists, but I sure did love the building.

Stained-glass awesomeness at the Cluny
I did a bunch of Christmas shopping too. I know it's super-touristy, but I looooooved loved loved Galeries Lafayette. 

Also I found the world's creepiest Abercrombie & Fitch in an old mansion on the Champs-Elysees. It looks like it's run by vampires.

The road to hell is paved with polyester fleece
I didn't do a ton of fabric shopping, but I did track down Malhia Kent, where they weave fabrics for Chanel and some of the other couture houses. I watched them weave for awhile, which was pretty amazing. They wouldn't let me take pictures inside, but here's what it looks like. 

Also: They. Have. One. Euro. Remnants. 

Still sorry I didn't snag that blue one on the bottom.
Also, I popped over to Antwerp for a super-quick day trip, mostly to see the Olivier Theyskens exhibit at the MoMu.

I loved seeing his sketches next to the finished garments.

Antwerp was really pretty, all lit up for the holidays. Still one of my all-time favorite cities.

Finally, while I was in Paris, I found out that Gary Graham is closing forever and f/w '17 is his last collection. AUUUUGGGGHHHH.

So after I got back and recuperated for a few days, I hopped on a bus to NYC.

I spent a lot of time wandering around and appreciating things. I love the whole steampunk-meets-Laura-Ingalls-Wilder vibe (as Tom said, "Put me on the airship, Pa"). And his color palette, and mix of fabrics, and the prints. Basically everything.

I finally bit the bullet and sprung for the linen duster I've been gawking at since MPB Day:

Here it is on the hanger:

Here's the inside:

That lining is everything. I can't wait to wear it when the weather warms up. Whenever that is.

Anyway, that's the update for now -- Happy New Year and happy sewing!


  1. Trip sounds fantastic! I haven't thought about Gary Graham in years! Thanks for the reminder although too bad he's done. Nice job with the duster. Happy new year!


Post a Comment

Popular posts from this blog

Alabama Chanin Factory Dress, and an update

Right! So I've been thinking lately about making three "uniform dresses" with pockets in Alabama Chanin cotton jersey that can be worn by themselves or over t-shirts and leggings, under cardigans, etc. And then I got this new "accessory" in May (which I'll explain in a sec) and couldn't get a red dress out of my head. To match, sort of—even though I hate it—but also, I love red and for some reason have none of it in my closet. So anyway, here's the first Factory Dress! It's single-layer medium-weight cotton jersey in Carmine, in a straight size medium, with hand-stitched seams (although I machine-stitched Eloflex within the SA afterward for extra stability). I used the punch cards from The Geometry of Hand-Sewing for the Cretan stitch around the neckline and armholes, which worked out great.  Bad closeup of neckline: This was a really enjoyable make—I had fun with the combination of machine and hand-stitching. I might k

complete: Nani Iro pocket dress

I made a dress! With the new sewing machine! Wheee! And not to bury the lede, but: We went to Japan for two weeks, and I completely fell in love with the clothing—especially Nani IRO and their amazing fabrics. I'm hooked. We tracked down the atelier in Osaka. ( Here's my review on PR .) They wouldn't let me take photos of the shop but said it was OK to take pictures of the fabrics. Lots of linen, cotton gauze and sateen in bright colors, as well as buttons and notions, an archive (I wasn't sure if it was possible to buy any of the archived fabrics), and jewelry. I bought some lovely blue linen with an asymmetrical print: And the book—the English translation had just been released. And it was signed! (I have a picture, can't seem to post it, sry.) So anyway. I couldn't stop reading the book—you know when you get really really obsessed with a pattern book? Like that. As soon as I got home, I decided to try out the pocket dress. Here'

a trip to Alabama Chanin

 Hi there. It's been a while. Didn't mean to go on mute, but some things happened over the last year or two. Anyway! I finally paid Alabama Chanin a visit. I've wanted to go for years, and finally reached out to them to sign up for a Studio Day and embroidery workshop while I was sitting in a high school gym in Lynn recovering from my first Covid shot. Definitely a bucket-list thing. I would have signed up for their three-day workshop in May, but it happened to coincide with the date of my second shot. :( It was a bit nerve-wracking -- only my second trip since 2019, going to a new place and all that. I went with a friend from my stitching group, and we'd never traveled together before.  We had a great time, though. It was an amazing three days! We landed in Nashville on a Wednesday, drove straight to AC, and spent the rest of the afternoon looking around and trying stuff on. Thursday was our Studio Day, where they let you focus on whatever you want. We toured the facto